With the holidays over, looks like Metro's back on track with posting issues again. For last week:
Jan. 8: A piece on Zappa tribute band Project/Object, hitting World Cafe with ex-FZ vocalist (and Thing Fish) Ike Willis in tow (pg. 19).
Jan. 10: A preview of I-House's retrospective of Swinging '60s documentarist Peter Whitehead, featuring his revelatory 1968 time capsule collage The Fall (pg. 16).
Jan. 12: Philly guitarist Matt Davis' chamber-jazz ensemble Aerial Photograph hosts like-mided Canadian saxophonist Quinsin Nachoff (pg. 18).
Wednesday, January 17, 2007
Daily News, Jan. 12
Two features this week: the first for Ars Nova's world premiere of the David S. Ware Unit, featuring Mat Maneri, Keith Whitty, and Whit Dickey; and the second for Patti Austin's Ella Fitzgerald tribute show opening for Ramsey Lewis at the Kimmel. Also, a Pick for trumpeter George Rabbai and guitarist Brian betz at Chris', and listings for Odean Pope's trio at the Art Museum, Matt Davis' Aerial Photograph w/ Canadian saxophonist Quinsin Nachoff at the Broad Street Ministry, vibist Tony Miceli at Chris', organist Joey DeFrancesco at MontCo, and Indian-American percussionist Ravish Momin's Trio Tarana at the Rotunda.
Citypaper, Jan. 11
This week: a feature on Philly electronics experimentalist Dave Smolen; a Pick for jazz/folk crossover MaMaVig; and a Soundadvice piece on Joey DeFrancesco's gig with fellow Miles alum saxophonist George Coleman.
On the movie side, two reviews: one for the gangsta dance-off Stomp the Yard and the other for Nick Cassavetes' fun-when-not-preachy Alpha Dog.
On the movie side, two reviews: one for the gangsta dance-off Stomp the Yard and the other for Nick Cassavetes' fun-when-not-preachy Alpha Dog.
Saturday, January 06, 2007
Daily News, Jan. 5
No feature story this week, just a Pick for Marc Ribot's show this Sunday at Tritone with the Swiss Lucien Dubiuis Trio; and listings for the Steve Myerson Quartet Friday at Chris', Dave Burrell and John Szwed's discussion of Jelly-Roll Morton's influence on the jazz avant-garde Thursday at Kelly Writer's House, and the LA-based large ensemble Industrial Jazz Group Wednesday at Chris'.
Metro, Jan. 5
For the weekend: a big cover story on the Bowerbird @ Landmarks program, which brings experimental music to Philly-area historic homes; it landed Toshi Makihara on the cover and packed the Physick House. Metro is still slacking about posting issues, but here's a scan from Bowerbird's site.
Also, a piece on the Montana-based experimental theater company Missoula Oblongata's Puppet Uprising-hosted play, Wonders of the World: Recite; and one that got cut on Slavic Soul Party, a Balkan folk-funk party band comprised of moonlighting members of the Brooklyn new-jazz scene, which I'll include here:
A Brooklyn-based brass band playing funk party tunes inspired by Balkan folk music isn’t too hard to accept. Names with suspiciously non-eastern European inflections like Toriyama or Noriega is a little stranger. But when the group’s leader turned out to be Matt Moran, usually known as vibraphonist for new-jazz ensembles like John Hollenbeck’s Claudia Quintet and the Mat Maneri Quintet, the whole concept seemed particularly intriguing.
“I sort of have a split personality musically,” Moran admits, “where I’m playing new music on vibes and playing drums in brass bands. This is where I synthesize my Balkan interests and my love of American music too.”
Moran first discovered Balkan music when the Bulgarian Women’s Choir (aka La Mystere des Voix Bulgares) came to prominence in the States in the late 1980s. “I really loved it,” Moran said, “so I just started chasing it down and eventually met other Americans who were into it through the international folk dance movement of the sixties. Then through them I found immigrant musicians playing the music here in New York and it just kept snowballing.”
On top of studying the music and learning its conventions, Moran says, “the main thing an American has to absorb, it seems to me, is attitude. Not to shy away from the clear and simple. And you’ve just got to really connect with intensity and passion. If you don’t feel a red-hot livewire running through yourself around this music then you shouldn’t be trying to play it or write it.”
But despite his appropriation of Balkan music, says that“the very concept of world music is anathema to me. We’re playing neighborhood music, and these are the influences and the things that bubble in our neighborhood. I walk out my door and you hear Albanian cats blasting Albanian pop, you hear Mexican banda, you hear hip-hop, you hear Bangladeshi music. All this stuff is here, and this is just us living and working in our neighborhood.”
Also, a piece on the Montana-based experimental theater company Missoula Oblongata's Puppet Uprising-hosted play, Wonders of the World: Recite; and one that got cut on Slavic Soul Party, a Balkan folk-funk party band comprised of moonlighting members of the Brooklyn new-jazz scene, which I'll include here:
A Brooklyn-based brass band playing funk party tunes inspired by Balkan folk music isn’t too hard to accept. Names with suspiciously non-eastern European inflections like Toriyama or Noriega is a little stranger. But when the group’s leader turned out to be Matt Moran, usually known as vibraphonist for new-jazz ensembles like John Hollenbeck’s Claudia Quintet and the Mat Maneri Quintet, the whole concept seemed particularly intriguing.
“I sort of have a split personality musically,” Moran admits, “where I’m playing new music on vibes and playing drums in brass bands. This is where I synthesize my Balkan interests and my love of American music too.”
Moran first discovered Balkan music when the Bulgarian Women’s Choir (aka La Mystere des Voix Bulgares) came to prominence in the States in the late 1980s. “I really loved it,” Moran said, “so I just started chasing it down and eventually met other Americans who were into it through the international folk dance movement of the sixties. Then through them I found immigrant musicians playing the music here in New York and it just kept snowballing.”
On top of studying the music and learning its conventions, Moran says, “the main thing an American has to absorb, it seems to me, is attitude. Not to shy away from the clear and simple. And you’ve just got to really connect with intensity and passion. If you don’t feel a red-hot livewire running through yourself around this music then you shouldn’t be trying to play it or write it.”
But despite his appropriation of Balkan music, says that“the very concept of world music is anathema to me. We’re playing neighborhood music, and these are the influences and the things that bubble in our neighborhood. I walk out my door and you hear Albanian cats blasting Albanian pop, you hear Mexican banda, you hear hip-hop, you hear Bangladeshi music. All this stuff is here, and this is just us living and working in our neighborhood.”
Citypaper, Jan. 4, 2007
The first CP of the new year finds my now-traditional (this is the third annual) 'Buried Stories' piece for Naked City. A little different this year (mainly because the busy nature of '06 precluded my amassing much in the way of actual buried stories), as I simply took five of the least newsworthy big stories of the year (the Mel-down, Britney's upskirt) and took a look at what else was news the same day, that may have been hushed because of the hoopla. Hopefully you'll get a laugh or two.
Also, a review of the latest 'white girl pulls the gangstas from out the hood' flick, Freedom Writers; and a Soundadvice mention of Black Dice closing out the Vox Populi gallery, which ended up being cancelled anyway.
Also, a review of the latest 'white girl pulls the gangstas from out the hood' flick, Freedom Writers; and a Soundadvice mention of Black Dice closing out the Vox Populi gallery, which ended up being cancelled anyway.
Friday, December 29, 2006
Daily News, Dec. 22-29
Dec. 22: A Pick for Cuban-born and one-time Philadelphia resident Elio Villafranca's show at the Art Museum; and listings for MJ Project, Calvin Weston's Big Tree, Nial Djuliarso, Jump City Jazz Orchestra, and Ripplegroove.
Dec. 29: A feature on ex-Philly drummer Ari Hoenig, a Pick for the Sun Ra Arkestra's second annual NYE show at the Ethical Society, and listings for Gerald Veasley, Soulive, Sound of Market's Duke Ellingotn jazz workshop, Hoppin' John Orchestra's NYE show at Chris' and Bootsie Barnes & John Swana's at Ortlieb's, and Denis DiBlasio at Collingswood's First Thursday.
Dec. 29: A feature on ex-Philly drummer Ari Hoenig, a Pick for the Sun Ra Arkestra's second annual NYE show at the Ethical Society, and listings for Gerald Veasley, Soulive, Sound of Market's Duke Ellingotn jazz workshop, Hoppin' John Orchestra's NYE show at Chris' and Bootsie Barnes & John Swana's at Ortlieb's, and Denis DiBlasio at Collingswood's First Thursday.
Citypaper, Dec. 21 & 28
To round out the year alt-weekly style:
Dec. 21: Reviews of Sly's nostalgia fest Rocky Balboa and Matthew McConaughey continuing to scrape the bottom of the acting barrel in the football schmaltz We Are Marshall; and my (admittedly fairly arbitrary) year-end Top 10 Jazz CDs list.
Dec. 28: Some last-minute year-end business: a quick write-up of Gnarls Barkley's "St. Elsewhere", no. 10 on CP's Top 21 Rock/Pop/Hip-Hop CDs list; and another quickie on Ashley Kahn's fine history of Impulse! Records, "The House That Trane Built", for the favorite Books of 2006 list.
Dec. 21: Reviews of Sly's nostalgia fest Rocky Balboa and Matthew McConaughey continuing to scrape the bottom of the acting barrel in the football schmaltz We Are Marshall; and my (admittedly fairly arbitrary) year-end Top 10 Jazz CDs list.
Dec. 28: Some last-minute year-end business: a quick write-up of Gnarls Barkley's "St. Elsewhere", no. 10 on CP's Top 21 Rock/Pop/Hip-Hop CDs list; and another quickie on Ashley Kahn's fine history of Impulse! Records, "The House That Trane Built", for the favorite Books of 2006 list.
Final Metros for '06
Metro still continues to be spotty about updating their website, but my last couple of pieces for the year were:
Dec. 21: My interview with 80s synth-pop icon and ringtone tycoon Thomas Dolby, prior to his World Cafe bill with BT (pg. 17).
Dec. 29: Not posted, and I haven't grabbed a copy, so just take my word for it that I worte pieces on the Kimmel's trio of silent film programs to be accompanied by Tom Trenney on their new organ; and Mike "Slo-Mo" Brenner, Philly's favorite hip-hop inflected slide guitarist, and his NYE party at World Cafe Live.
Dec. 21: My interview with 80s synth-pop icon and ringtone tycoon Thomas Dolby, prior to his World Cafe bill with BT (pg. 17).
Dec. 29: Not posted, and I haven't grabbed a copy, so just take my word for it that I worte pieces on the Kimmel's trio of silent film programs to be accompanied by Tom Trenney on their new organ; and Mike "Slo-Mo" Brenner, Philly's favorite hip-hop inflected slide guitarist, and his NYE party at World Cafe Live.
Wednesday, December 20, 2006
Daily News 12/8-15
Dec. 8: The weekend section had my interview with Philly violinist John Blake, Jr., a vet of both Grover Washington's and McCoy Tyner's bands. Also, a Pick for Spaceship on the Highway, the quartet featuring Fred Anderson, Henry Grimes, Marshall Allen, and Avreeayl Ra; and listings for Pat Martino, Freddy Cole, Vadim Neselovskyi, and the Drake Jazz project.
Dec. 11: A feature on "A Camden Christmas Carol", an intriguing new slant on the Dickens chestnut, updating the original's Victorian Camdentown to modern-day Camden, being produced at the Rutgers-Camden Center for the Arts.
Dec. 15: A story on Skirl Records, the new brooklyn-based label started by Chris Speed. Also, a Pick for Jamaaladeen Tacuma's show "Coltrane's Configurations" at Zanzibar Blue, and listings for Eddie Gomez & Mark Kramer and Bobby Zankel.
Dec. 11: A feature on "A Camden Christmas Carol", an intriguing new slant on the Dickens chestnut, updating the original's Victorian Camdentown to modern-day Camden, being produced at the Rutgers-Camden Center for the Arts.
Dec. 15: A story on Skirl Records, the new brooklyn-based label started by Chris Speed. Also, a Pick for Jamaaladeen Tacuma's show "Coltrane's Configurations" at Zanzibar Blue, and listings for Eddie Gomez & Mark Kramer and Bobby Zankel.
Citypaper, Dec. 7 & 14
Dec. 7: A review of Paul Feig's mini-Freaks and Geeks Xmas film Unaccompanied Minors; a Pick for the Tritone CD release show of local free jazz-meets-worldbeat band Sonic Liberation Front; and two Soundadvice bits, one for the meeting of Jack Wright and John Bennett as Rotty What, and one for modern marimbist Nathaniel Bartlett.
Dec. 14: Two film reviews: a feature on terry Gilliam's sorely disappointing (but see it anyway - you still owe him for Baron Munchausen) new film Tideland; and a short on the perfectly acceptable if unexciting new adaptation of Charlotte's Web.
Dec. 14: Two film reviews: a feature on terry Gilliam's sorely disappointing (but see it anyway - you still owe him for Baron Munchausen) new film Tideland; and a short on the perfectly acceptable if unexciting new adaptation of Charlotte's Web.
December Metros
There's an excuse for the lack of updates lately: Metro's been really bad at keeping issues posted to their site, so I figured I'd wait it out and see if they ever posted any of the missing ones. They haven't, so I'll include links where I can and otherwise just mention what's been done.
On Dec. 4 (not posted), there was my interview with subversive punk-turned-Elvis impersonator-but-still-really-a-subversive punk El Vez, prior to his Mexican Merry Mex-mas show at World Cafe, which was a blast.
Dec. 6 (not posted) had a really fun interview with Nerdcore rapper and occasional cartoon character MC Chris, which I may post here in its entirety. Lots of entertaining bitching about his brief and miserable time living in South Philly.
Dec. 8 (yet again, not posted) had three pieces: an interview with Philly singer/songwriter Cynthia G. Mason; a piece on the new experimental music and dance troupe Perpetual Mvmt<>Snd and their revival of the Rashomon Effect, a round-robin improv score inspired by the Kurosawa film; and one on Lunacy, the latest Jan Svankmajer film, which played at International House.
Dec. 15 (hey, this one's actually online) had two local experimental shows: Friday's rendition of John Zorn's Cobra, led by trombonist Daniel Blacksberg (pg. 25); and Dark Forces Swing Blind Punches, a ten-band fest of brutal prog at the Avant gentleman's Lodge, which I'll also be reviewing for Signal To Noise (speaking of which, my review of local saxophonist Seth Meicht's two new releases is in this month's issue).
On Dec. 4 (not posted), there was my interview with subversive punk-turned-Elvis impersonator-but-still-really-a-subversive punk El Vez, prior to his Mexican Merry Mex-mas show at World Cafe, which was a blast.
Dec. 6 (not posted) had a really fun interview with Nerdcore rapper and occasional cartoon character MC Chris, which I may post here in its entirety. Lots of entertaining bitching about his brief and miserable time living in South Philly.
Dec. 8 (yet again, not posted) had three pieces: an interview with Philly singer/songwriter Cynthia G. Mason; a piece on the new experimental music and dance troupe Perpetual Mvmt<>Snd and their revival of the Rashomon Effect, a round-robin improv score inspired by the Kurosawa film; and one on Lunacy, the latest Jan Svankmajer film, which played at International House.
Dec. 15 (hey, this one's actually online) had two local experimental shows: Friday's rendition of John Zorn's Cobra, led by trombonist Daniel Blacksberg (pg. 25); and Dark Forces Swing Blind Punches, a ten-band fest of brutal prog at the Avant gentleman's Lodge, which I'll also be reviewing for Signal To Noise (speaking of which, my review of local saxophonist Seth Meicht's two new releases is in this month's issue).
Saturday, December 02, 2006
November Catch-up: Daily News
Nov. 17 saw me take over the DN's jazz beat, so each Friday will have a pick and listings for the week's shows.
Nov. 17: A short piece on Blue Note pianist Robert Glasper and his trio, along with a Pick (actually, a repurposed listing, since my Pick on Glasper went on too long) and listings for McCoy Tyner and Jimmy Bruno. The listings don't seem to be archived - at least, I can't find 'em.
Nov. 24: A Pick on the reunited Microscopic Septet and listings for Louis Hayes, Roy Ayers, Catherine Russell, and Dr. Guy's MusiQology.
Nov. 27: A feature on pianist Dave Burrell's new commission based on the Rosenbach Museum's exhibit "Look Again: African-American History IS American History." Wherein my name is spelled wrong. Ah well, the paper's on the verge of a strike - suppose they're a tad distracted.
Nov. 28: A feature on the Yule Ball, five Harry Potter-related bands celebrating Christmas and wizardry at the Starlight Ballroom.
Dec. 1: A story on Sonny Rollins prior to his stamina-testing show at the Kimmel, a Pick for Tin Hat clarinetist Ben Goldberg, and listings for Dave Burrell, Henry Butler & Corey Harris, Arpeggio Jazz Ensemble, Matt Wilson Quartet, Will Downing, and Butch Ballard.
Nov. 17: A short piece on Blue Note pianist Robert Glasper and his trio, along with a Pick (actually, a repurposed listing, since my Pick on Glasper went on too long) and listings for McCoy Tyner and Jimmy Bruno. The listings don't seem to be archived - at least, I can't find 'em.
Nov. 24: A Pick on the reunited Microscopic Septet and listings for Louis Hayes, Roy Ayers, Catherine Russell, and Dr. Guy's MusiQology.
Nov. 27: A feature on pianist Dave Burrell's new commission based on the Rosenbach Museum's exhibit "Look Again: African-American History IS American History." Wherein my name is spelled wrong. Ah well, the paper's on the verge of a strike - suppose they're a tad distracted.
Nov. 28: A feature on the Yule Ball, five Harry Potter-related bands celebrating Christmas and wizardry at the Starlight Ballroom.
Dec. 1: A story on Sonny Rollins prior to his stamina-testing show at the Kimmel, a Pick for Tin Hat clarinetist Ben Goldberg, and listings for Dave Burrell, Henry Butler & Corey Harris, Arpeggio Jazz Ensemble, Matt Wilson Quartet, Will Downing, and Butch Ballard.
November Catch-up: Citypaper
Three weeks of Citypapers:
Nov. 16: A Pick on vocalist songwriter Ann Hampton Callaway. There was also supposed to be a small Soundadvice on McCoy Tyner's History of Impulse! septet show at the Kimmel, but that seems to have disappeared into the ether. No big loss, really.
Nov. 23: A feature on pianist/Penn professor Guthrie Ramsey and his entrepeneurially-bent jazz band, Dr. Guy's MusiQology. Also, a Soundadvice mention of Louis hayes' Cannonball Legacy Band.
Nov. 30: A review of the Heath Ledger-starring Aussie drug movie Candy and a Pick for the first entry in the Bowerbird @ Landmarks series, where Dustin Hurt's experimental music promoting apparatus will be placed inside historic homes in Old City.
Nov. 16: A Pick on vocalist songwriter Ann Hampton Callaway. There was also supposed to be a small Soundadvice on McCoy Tyner's History of Impulse! septet show at the Kimmel, but that seems to have disappeared into the ether. No big loss, really.
Nov. 23: A feature on pianist/Penn professor Guthrie Ramsey and his entrepeneurially-bent jazz band, Dr. Guy's MusiQology. Also, a Soundadvice mention of Louis hayes' Cannonball Legacy Band.
Nov. 30: A review of the Heath Ledger-starring Aussie drug movie Candy and a Pick for the first entry in the Bowerbird @ Landmarks series, where Dustin Hurt's experimental music promoting apparatus will be placed inside historic homes in Old City.
November Catch-up: Metro
Ok, so I'm really bad at keeping this updated. So here, in three updates, is the remainder of November. First up, the Metro:
Nov. 14: For some reason, this issue isn't online, but I had a fun little interview with prolific ex-Guided By Voices frontman Robert Pollard in it. You'll just have to trust me on that.
Nov. 15: This issue is online, but the piece on Centro-Matic that I wrote for it got cut. 0 for 2 so far.
Nov. 17: Two pieces in the weekend section: an interview with co-founding Beach Boy Al Jardine prior to his joining Brian Wilson to celebrate the 40th anniversary of Pet Sounds at the Keswick (pg. 17); and one with folk legend Doc Watson, also showing up at the Keswick the same weekend (pg. 18).
Nov. 20: A piece on the Jim Jarmusch retrospective being presented by the three Renew theaters - Bryn Mawr, Ambler, County (pg. 15).
Nov. 22: The Burn-Down All-Stars, a Philly-based live-instrument hip-hop group (pg. 18).
Nov. 27: International House's seven-film survey of films from the boot, New Authors of Italian Cinema (pg. 12).
Nov. 30: Pittsburgh-based prog duo Zombi, who play songs from and inspired by seventies Italian horror flicks - especially Goblin's music for Dario Argento and Dawn of the Dead (pg. 14).
Dec. 1: An overview of the area's (very few) holiday film offerings (pg. 18); and an interview with John Perry, who pays tribute to George Harrison with his show Dark Horse (pg. 19).
Nov. 14: For some reason, this issue isn't online, but I had a fun little interview with prolific ex-Guided By Voices frontman Robert Pollard in it. You'll just have to trust me on that.
Nov. 15: This issue is online, but the piece on Centro-Matic that I wrote for it got cut. 0 for 2 so far.
Nov. 17: Two pieces in the weekend section: an interview with co-founding Beach Boy Al Jardine prior to his joining Brian Wilson to celebrate the 40th anniversary of Pet Sounds at the Keswick (pg. 17); and one with folk legend Doc Watson, also showing up at the Keswick the same weekend (pg. 18).
Nov. 20: A piece on the Jim Jarmusch retrospective being presented by the three Renew theaters - Bryn Mawr, Ambler, County (pg. 15).
Nov. 22: The Burn-Down All-Stars, a Philly-based live-instrument hip-hop group (pg. 18).
Nov. 27: International House's seven-film survey of films from the boot, New Authors of Italian Cinema (pg. 12).
Nov. 30: Pittsburgh-based prog duo Zombi, who play songs from and inspired by seventies Italian horror flicks - especially Goblin's music for Dario Argento and Dawn of the Dead (pg. 14).
Dec. 1: An overview of the area's (very few) holiday film offerings (pg. 18); and an interview with John Perry, who pays tribute to George Harrison with his show Dark Horse (pg. 19).
Monday, November 13, 2006
Daily News, 11/13/06
In today's Daily News: A feature on local performance artist Sebastienne Mundheim's "Currently Franklin: The Story of a Paper Boy", a wonderful multi-media all-ages show on the Founding Father that employs puppetry, dance and projection.
Metro, 11/9-13/06
In the last week or so of the Metro:
Nov. 6: The Easy Star All-Stars, reggae artists covering entire rock albums, first with Pink Floyd on "Dub Side of the Moon", now with Radiohead's "OK Computer" on "Radiodread" (Pg. 17).
Nov. 9: Mitch Easter, one-time REM producer and Let's Active frontman, touring in advance of his first recording in 18 years (Pg. 18).
Nov. 10: pieces on West Chester University's eleventh annual Harpfest (Pg. 13) and the trio-plus-one Medeski Martin Scofield and Wood (Pg. 14), plus a cut not-very-good interview with Arlo Guthrie's son-in-law Johnny Irion for the Guthrie Family Reunion Tour (remnants, Pg. 11).
Nov. 13: Philly-area film collector Lou DiCrescenzo descends on the County Theater in Doylestown with "Missile to the Moon", a less-than-classic 1958 sci-fi programmer, plus a selection of trailers and cartoons.
Nov. 6: The Easy Star All-Stars, reggae artists covering entire rock albums, first with Pink Floyd on "Dub Side of the Moon", now with Radiohead's "OK Computer" on "Radiodread" (Pg. 17).
Nov. 9: Mitch Easter, one-time REM producer and Let's Active frontman, touring in advance of his first recording in 18 years (Pg. 18).
Nov. 10: pieces on West Chester University's eleventh annual Harpfest (Pg. 13) and the trio-plus-one Medeski Martin Scofield and Wood (Pg. 14), plus a cut not-very-good interview with Arlo Guthrie's son-in-law Johnny Irion for the Guthrie Family Reunion Tour (remnants, Pg. 11).
Nov. 13: Philly-area film collector Lou DiCrescenzo descends on the County Theater in Doylestown with "Missile to the Moon", a less-than-classic 1958 sci-fi programmer, plus a selection of trailers and cartoons.
Citypaper, 11/9/06
Friday, November 03, 2006
Metro, 11/3/06
Only one piece in today's Metro weekend section: an interview with wry singer/songwriter Amy Rigby, currently celebrating the tenth anniversary of her acclaimed debut solo CD, "Diary of a Mod Housewife," by performing the album in its entirety at World Cafe Live (Pg. 19).
Thursday, November 02, 2006
Citypaper, 11/2/06
In this week's Citypaper: a Pick for legendary avant-jazz pianist Cecil Taylor, playing at International House on Saturday night, and two Soundadvice previews, on the Yellowjackets and Stephan Crump's Rosetta Trio. Also, four CP Choice Awards: three in A&E, for Dustin Hurt's Bowerbird series, Gene Coleman's Tabadol Project, and Byard Lancaster; and one in food, for Lafayette Hill Italian joint From the Boot.
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